Computer Music bibliography
Posted-By: auto-faq 2.4
Archive-name: music/midi/bibliography
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Version: $Id: bibliography,v 1.38 1996/01/02 12:56:17 piet Exp $
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This is a bibliography on synthesizers, midi, computer and electronic music
that I have collected from various sources. I have tried to bring some
structure into it, but not all books will fit into a single subject.
NOTE: I haven't read these books, and the comments are from other people.
On some of them I lost the original commentor's name. Sorry about that. If
you have additions or correction to this information, please mail me. The
latest version of this file can be obtained by ftp from ftp.cs.ruu.nl
[131.211.80.17] in MIDI/DOC/bibliography or by mail from
mail-server@cs.ruu.nl (send a message with HELP in the body).
There is a more scientifically-oriented bibliography available in the
Computer Music Journal archives, on the ftp sites mitpress.mit.edu
/pub/Computer-Music-Journal/EdNotes or ccrma-ftp.stanford.edu
/pub/Publications/cmj/EdNotes. Some references in this file that belong in
that category will be removed in the future.
A bibliography on alternate tunings can be found on ella.mills.edu in
/ccm/tuning/papers/bib.html.
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------------------------------------ MIDI ------------------------------------
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The most-up-to-date printed specs for General MIDI, MIDI, and the MIDI
file format can also be obtained for a few bucks from:
International MIDI Association
23634 Emelita Street
Woodland Hills, California 91367 USA
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Title: Computer music in C / Phil Winsor & Gene DeLisa.
Publisher: Blue Ridge Summit, PA : TAB Books (Windcrest label), c1991.
Subjects: Computer sound processing.
Computer composition.
C (Computer program language)
Midi programming
ISBN: 0-8306-3637-4 (p) : $22.95
It has a C source disk for the PC available for $25.
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Title: Mind over MIDI / edited by Dominic Milano ; by the editors
of Keyboard magazine.
Publisher: Milwaukee, WI : H. Leonard Books, c1987.
Series: The Keyboard magazine basic library
Or: Keyboard synthesizer library.
Subjects: MIDI (Standard)
Computer sound processing.
ISBN: 0-88188-551-7 (pbk.) : $12.95
The book consists mostly of reprints of KEYBOARD magazine
articles from the early-mid '80s plus several appendixes containing
the MIDI 1.0 specification, a list of references, a glossary, etc.
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Title: Macworld Music and Sound Bible / Christopher Yavelow
Publisher: IDG books, 1993 (probably out of print)
Subjects: Computer sound processing.
MIDI
Macintosh computers--Programming.
ISBN: 1-878058-18-5
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Title: MIDI- und sound-buch zum Atari ST. English
Title: MIDI and sound book for the Atari ST / Bernd Enders and
Wolfgang Klemme.
Publisher: Redwood City, Calif. : M & T Pub., c1989.
Subjects: Computer music--Instruction and study.
Computer sound processing.
MIDI (Standard)
Atari ST computers--Programming.
ISBN: 1-55851-042-7 : $17.95
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Title: Atari ST Introduction to MIDI Programming / Len Dorfman and
Dennis Young
ISBN: 0-916439-77-1
Publisher: Bantam Books,Inc.: 666 5th Avenue New York,New York 10103
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Title: Music through MIDI : using MIDI to create your own
electronic music system / Michael Boom.
Publisher: Redmond, Wash. : Microsoft Press, c1987.
Subjects: MIDI (Standard)
Subjects: Musical instruments, Electronic.
Subjects: Electronic music--Instruction and study.
Subjects: Computer sound processing.
ISBN: 1-55615-026-1 (pbk.) : $19.95
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Title: The MIDI drummer : by a drummer for a drummer-- / by David
Crigger.
Publisher: Newbury Park, CA : Alexander Pub., c1987.
Subjects: Electronic percussion instruments--Instruction and study.
MIDI (Standard)
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Title: MIDI for guitarists / by Bob Ward and Marty Cutler ;
Publisher: London ; New York : Amsco Publications ; New York, NY, USA
: Exclusive distributors Music Sales Corp., c1988.
Subjects: Electric guitar--Instruction and study.
MIDI (Standard)
ISBN: 0-8256-1126-1 (U.S.)
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Title: MIDI for musicians / by Craig Anderton.
Publisher: New York : Amsco Publications, c1986.
Subjects: MIDI (Standard)
Computer sound processing.
ISBN: 0-8256-1050-8 (pbk.)
ISBN: 0-8256-2214-X (pbk. : cover)
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Title: MIDI guitar : a complete applications directory for the
modern guitarist / [by Rey Sanchez ; forward [sic] by
Randy Bernsen].
Publisher: Miami, FL : CPP/Belwin, c1988.
Subjects: MIDI (Standard)
Computer sound processing.
Electric guitar.
ISBN: 0-89898-544-7 : $15.95
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Title: Midi guitar and synthesis : the basics of guitar synthesis
/ by Paul Youngblood.
Publisher: Milwaukee, WI : H. Leonard Pub. Co., c1989.
Subjects: MIDI (Standard)
Computer sound processing.
Electric guitar.
ISBN: 0-88188-886-9 : $14.95
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Title: The MIDI home studio / by Howard Massey.
Publisher: London ; New York : Amsco Publications ; New York, NY, USA
: Music Sales Corp. [distributor], c1988.
ISBN: 0-8256-1127-X (U.S.)
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Title: The MIDI manual / David Miles Huber.
Publisher: Carmel, Ind., USA : Howard W. Sams, c1991.
ISBN: 0-672-22757-6, 250pp.
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Title: Making music with your computer / from the editors of Electronic
musician magazine ; edited by David (Rudy) Trubitt.
Publisher: Emeryville, CA : EMBooks ; [Milwaukee, WI] : H. Leonard, 1993.
Subjects: Computer music --Instruction and study.
MIDI (Standard)
ISBN: 079351990X (pbk.)
NOTE: "A practical guide to: MIDI, digital recording, music software,
sequencing, notation"
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Title: The Desktop musician, Creating music with your computer /
David M. Rubin
Publisher: Osborne/Mac-Graw Hill Berkeley 1995
NOTE: includes a CD with demos for PC/MAC
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Title: The MIDI programmer's handbook / Steve De Furia and Joe
Scacciaferro, Ferro Technologies.
Publisher: Redwood City, Calif. : M&T Pub., c1989.
ISBN: 1-55851-068-0, 250 pp. Paperback. $24.95 Mix Bookshelf part # 3539C
*** This book is now out of print ***
New, advanced MIDI desk reference is perfect for programmers and MIDI power
users. The heart of the book is a summary and explanation of every MIDI
command, in hex, binary, decimal and English. Also features detailed
discussion of software design concerns, synchronization formats, MTC,
sample dump, MIDI files and system exclusive processing.
It discusses writing software to handle MIDI information at the application
level. In other words, they assume you have already written or otherwise
obtained access to the necessary code to talk to your hardware to send and
receive the MIDI data. This approach frees the entire discussion from
being tied to any particular hardware or programming approach. Instead, it
spends its time on that which is valuable to the experienced programmer.
Issues such as MIDI file format, timing (SMPTE, MTC, etc), parsing MIDI
data and processing it, MIDI sample dump standard, etc. are all handled in
fine detail.
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THE MIDI IMPLEMENTATION BOOK, Defuria & Scacciaferro
Contains complete documentation of MIDI commands implemented by more than
200 instruments. This data has come directly from hardware manufacturers
and allows you to find MIDI functions of specific instruments, compare
features of similar instruments and choose equipment to meet specific
applications. A standard, one-page implementation chart is used for each
product. ISBN ISBN 0-88188-558-4, 1986, 216 pp. $19.95
Mix Bookshelf, 1-800-233-9604 (US & Canada). Doesn't say who publishes
it, and its terribly out-dated (1986), but they might have published
another addition by now.
The MIDI System Exclusive Book by Steve De Furia and Joe Scacciaferra,
Third Earth Productions, Pompton Lakesm N.J. Distributed by Hal
Leonard Books. ISBN ISBN 0-88188-586-x (1987)
The MIDI Resource Book. Same guys. ISBN 0-88188-587-8
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Title: MIDI programming for the Macintosh / Steve De Furia and Joe
Scacciaferro.
Publisher: Redwood City, CA : M&T Books, 1988.
Subjects: MIDI (Standard)
Computer sound processing.
Macintosh (Computer)--Programming.
ISBN: 1-55851-021-4 : $22.95
ISBN: 1-55851-022-2 (book & disk) : $39.95
ISBN: 1-55851-023-0 (disk) : $20.00
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Title: C Programming for MIDI / Jim Conger.
Publisher: Redwood City, Calif. : M&T Books, 1989.
501 Galveston Drive Redwood City, CA 94063
Subjects: MIDI, C, sequencing
This book shows how to use the basic features of an MPU-401 interface.
Includes a disk with MS-DOS code.
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Title: MIDI sequencing in C / Jim Conger.
Publisher: Redwood City, Calif. : M&T Books, 1989.
501 Galveston Drive Redwood City, CA 94063
Subjects: MIDI (Standard)
C (Computer program language)
Sequential processing (Computer science)
ISBN: 1-55851-045-1 (book) : $24.95
ISBN: 1-55851-047-8 (disk) : $20.00
ISBN: 1-55851-046-X (set) : $39.95
This book continues where the provious one lefts off.
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Title: MIDI systems and control / Francis Rumsey.
Publisher: London ; Boston : Focal Press, 1990.
Subjects: MIDI (Standard)
Computer sound processing.
ISBN: 0-240-51300-2 : $14.95 (U.S.)
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Title: MIDI, the ins, outs & thrus / by Jeff Rona ; edited by
Ronny S. Schiff.
Publisher: Milwaukee, Wis. : H. Leonard Books, c1987.
Notes: "A complete guide to the understanding, use, and buying of
MIDI instruments"--Cover.
Subjects: MIDI (Standard)
Computer sound processing.
ISBN: 0-88188-560-6 (pbk.) : $12.95
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Title: MIDI : a comprehensive introduction / Joseph Rothstein.
Publisher: Madison, Wis. : A-R Editions, c1992.
Subjects: MIDI (Standard)
Series: The Computer music and digital audio series ; v. 7
ISBN: 0-89579-258-3 : $39.95
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Microsoft Press put out a book on midi programming. I
think that this is rather a weak book, but it might serve
as an introduction for non-computer folk.
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Several other books are out that were written by musicians.
They are interesting as a intro to using midi, but contain
a dearth of info from my perspective. As a programmer, I
have the wrong perspective to sort these out.
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Real Time MIDI performance interfaces
Dannenberg, "...computer accompaniment..." ICMC87, ICMC85(??)
(maybe "Bloch and Dannenberg", don't have it handy)
X. Chabot ??
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--------------------------------- SYNTHESIS ----------------------------------
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Title: Build a better music synthesizer / Thomas Henry.
Publisher: Blue Ridge Summit, PA : Tab Books, c1987.
Subjects: Synthesizer (Musical instrument)--Construction.6
ISBN: 0-8306-0255-0 : $17.95
ISBN: 0-8306-2755-3 (pbk.) : $11.45
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Title: Musical applications of microprocessors, 2nd ed. / Hal Chamberlin.
Publisher: Hasbrouck Heights, N.J. : Hayden Book Co., c1985.
Subjects: Computer music--Instruction and study.
Subjects: Computer composition.
Subjects: Microprocessors.
ISBN: 0-8104-5768-7
I have seen two editions: mine from the early 80's, and a hardback
that my friend has from the late 80's. His has 68000 assember
for an FFT routine.
This covers analog and digital sound synthesis from an experimenter's
perspective, not much math, lots of algorithms and circuits. If you want
to solder and program in your garage and make lots of weird sounds, this is
the bible. Lots of BASIC programs, but they're very short, just to
demonstrate algorithms. It's a few years old now and the electronic
devices used in the book are dated, but the explanations and principles are
still valid. It discusses things such as real time synthesis, play back of
stored soundwaves, sampling, running multiple D-As in parallel, software
for computing soundwaves (it even covers Fast Fourier Transforms) and more.
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Title: Computer music : synthesis, composition, and performance /
Charles Dodge, Thomas A. Jerse.
Publisher: New York : Schirmer Books, c1985.
Subjects: Computer music--Instruction and study.
Computer composition.
ISBN: 0-02-873100-X
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Title: Elements of computer music / F. Richard Moore.
Publisher: Englewood Cliffs, N.J. : Prentice Hall, c1990.
Subjects: Computer sound processing.
Subjects: Computer music--Instruction and study.
ISBN: 0-13-252552-6
Lots of stuff on software synthesis, and more, all centered around cmusic
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This book is very good: "A synthesist's Guide to Acoustic Instruments"
Amsco Publications,New York, 1987
author: H.Massey
I found the Howard Massey "Synthesists Guide to Acoustic Instruments"
to be a pretty good book for general synthesizer knowledge, mostly
because it doesn't try to explain the specifics of a synth.
...David Elliott
...dce@smsc.sony.com | ...!{uunet,mips}!sonyusa!dce
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Schottstaedt, Bill. "The Simulation of Natural Instrument Tones Using
Frequency Modulation with a Complex Modulating Wave." Computer Music
Journal 1, 4 (1977): 46-50.
also in:
Roads, Curtis and John Strawn, ed.The Foundations of Computer Music.
Cambridge, MA: MIT Press, 1985.
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J. Chowning
"The Synthesis of Complex Audio Spectra by Means of Frequency
Modulation"
J. Audio Eng. Soc. 21, no. 7 (1973):526-534
[This is the standard reference.]
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J. Chowning and D. Bristow
"FM Theory and Applications by Musicians for Musicians"
Yamaha Music Foundation, Tokyo, 1986
ISBN 4-636-17482-8
[Could be difficult to find. Maybe Mix bookshelf - see above]
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Marc LeBrun
"A derivation of the Spectrum of FM with a Complex Modulating Wave."
Computer Music Journal Volume 1, Number 4. 1977, pages 51-52.
Also in Roads and Strawn, Foundations of Computer Music.
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Marc LeBrun
"Digital Waveshaping Synthesis"
Journal of the AES, 27(4), 1979: 250-266
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J.A. Moorer
"The synthesis of Complex Audio Spectra by Means of Discrete
Summation Formulae"
Music Department, Stanford U., 1975 (Report no. STAN-M-5.)
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Moore, F. Richard. "Table Lookup Noise for Sinusoidal Digital Oscillators."
Computer Music Journal 1, 2 (1977): 26-29. Reprinted in Curtis Roads,
ed. _Foundations of Computer Music_ (MIT Press, 1985).
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Chareyron, J. "Digital Synthesis of Self-modifying
Waveforms by Means of Linear Automata", Computer
Music Journal, Vol 14 No. 4, 1990.
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Title: The Art of Noises / Luigi Russolo.
Publisher: Pendragon Press, Stuyvesant, New York, 1986.
ISBN: 0-918728-57-6.
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Title: Formalized Music, Revised edition / Iannis Xenakis
Publisher: Pendragon Press, Stuyvesant, New York, 1992.
ISBN: 0-945192-24-6.
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Title: The synthesizer / John Bates.
Publisher: Oxford : Oxford University Press, Music Dept., 1988.
Series Name: Oxford topics in music
Subjects: Synthesizer (Musical instrument)--Juvenile literature.
Musical instruments, Electronic--Juvenile literature.
Computer music--History and criticism--Juvenile literature.
Synthesizer (Musical instrument)
Musical instruments, Electronic.
Computer music--History and criticism.
ISBN: 0-19-321337-0
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Title: The synthesizer and electronic keyboard handbook / David
Crombie ; [foreword by Thomas Dolby].
Publisher: New York, N.Y. : Knopf : Distributed by Random House, 1984.
Subjects: Synthesizer (Musical instrument)--Instruction and study.
Electronic keyboard (Synthesizer)
ISBN: 0-394-72711-8 (pbk.) : $13.95
ISBN: 0-394-54084-0 : $25.00
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Title: Synthesizer basics / by Dean Friedman.
Publisher: New York : Amsco Publications : Exclusive distributor,
Music Sales Corp., c1986.
Subjects: Synthesizer (Musical instrument)
ISBN: 0-8256-2409-6 (pbk.)
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Title: Synthesizer basics / by the editors of Keyboard magazine.
Publisher: Milwaukee, WI : H. Leonard Pub. Corp., c1984.
Series Name: The Keyboard synthesizer library ; v. 1
Subjects: Synthesizer (Musical instrument)--Instruction and study.
Electronic music--Instruction and study.
ISBN: 0-88188-289-5 (pbk.) : $8.95
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Title: Synthesizer basics / edited by Brent Hurtig from the pages
of Keyboard magazine. (rev. ed)
Publisher: Milwaukee, WI : H. Leonard Books, c1988.
Series Name: The Keyboard magazine basic library
Notes: Cover subtitle: The musician's reference for creating,
performing, and recording electronic music.
Subjects: Synthesizer (Musical instrument)--Instruction and study.
Electronic music--Instruction and study.
ISBN: 0-88188-714-5 (pbk.) : $12.95
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Title: Synthesizer orchestration : a creative approach for the
arranger and synthesist includes cassette recording of
musical examples / by Steve Quinzi.
Publisher: Miami Fla. : Studio 224, c1987.
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Title: Synthesizer programming / edited by Dominic Milano ; by the
editors of Keyboard magazine.
Publisher: Milwaukee, WI : Hal Leonard Books, c1987.
Series Name: Keyboard synthesizer library
Subjects: Synthesizer (Musical instrument)
ISBN: 0-88188-550-9 (pbk.)
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Title: Synthesizer technique / by the editors of Keyboard
magazine.
Publisher: Milwaukee, WI : H. Leonard Books, c1987.
Series Name: The Keyboard synthesizer library
Subjects: Synthesizer (Musical instrument)
ISBN: 0-88188-715-3 (pbk.) : $12.95
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Title: Casio FZ-1 & FZ-10M digital sampling synthesizer : the
essential guide to practical applications / Joe
Scacciaferro, Steve DeFuria.
Publisher: Milwaukee, WI, USA : Hal Leonard Books, c1988.
Subjects: Synthesizer (Musical instrument)
ISBN: 0-88188-967-9 : $14.95
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Title: Synthesizermusik und Live-Elektronik : geschichtliche,
technologische, kompositorische und padagogische Aspekte
der elektronischen Musik / Gunther Batel, Dieter Salbert.
Publisher: Wolfenbuttel : Moseler, c1985.
Subjects: Electronic music--Instruction and study.
Computer music--Instruction and study.
Synthesizer (Musical instrument)
ISBN: 3-7877-3534-8
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Title: Synthesizers and computers / by the editors of Keyboard
magazine.
Publisher: Milwaukee, WI : H. Leonard Pub. Corp., c1985.
Series Name: The Keyboard synthesizer library ; v. 3
Notes: Contributions by Bob Moog and others.
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Title: Synthesizers and computers / edited by Brent Hurtig.
Publisher: Milwaukee, Wis. : H. Leonard Pub. Corp., c1987.
Series Name: Keyboard magazine basic library
Subjects: Computer music--Instruction and study.
Synthesizer (Musical instrument)
MIDI (Standard)
ISBN: 0-88188-716-1 (pbk.) : $12.95
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Title: Electronic music: a handbook of sound synthesis & control
[by] M. L. Eaton.
Publisher: [Kansas City, Mo., ORCUS, 1969]
Series Name: ORCUS technical publication, TP-3003
Subjects: Electro-acoustics.
Electronic music--Instruction and study.
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Title: Electronic music circuits / by Barry Klein.
Publisher: Indianapolis, Ind. : H.W. Sams, c1982.
Series Name: Blacksburg continuing education series
Subjects: Synthesizer (Musical instrument)--Construction.
Electronic circuits.
ISBN: 0-672-21833-X (pbk.) : $16.95
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Title: Electronic projects for musicians / by Craig Anderton
Publisher: Saratoga, CA : Guitar Player Productions, c1975.
Subjects: Musical instruments, Electronic.
ISBN: 0-89122-011-9 : $6.95
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Title: Electronic music synthesizers / by Delton T. Horn.
Publisher: Blue Ridge Summit, Pa. : Tab Books, c1980.
Subjects: Synthesizer (Musical instrument)
ISBN: 0-8306-9722-5 : $9.95
ISBN: 0-8306-1167-3 (pbk.) : $5.95
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Title: Electronic music technology / NRI.
Publisher: Washington, D.C. : McGraw-Hill Continuing Education Center,
c1988.
Subjects: Oscillators, Electric--Programmed instruction.
Musical instruments, Electronic--Programmed instruction.
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Author: Kettelkamp, Larry.
Title: Electronic musical instruments : what they do, how they
work / Larry Kettelkamp ; foreword by Herbert Deutsch.
Publisher: New York : W. Morrow, 1984.
Notes: Explains the principles of electronic music, discusses the
uses of such electronic instruments as oscillators,
synthesizers, electronic organs, and sound processors, and
gives advice on performing and recording electronic music.
Subjects: Musical instruments, Electronic.
Musical instruments, Electronic.
Electronic music.
ISBN: 0-688-02781-4
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Title: The Art of electronic music / compiled by Tom Darter ;
edited by Greg Armbruster.
Publisher: New York : Quill, c1984.
Notes: "...Edited from material originally published in Keyboard
magazine from 1975 to 1983"--T.p. verso.
Subjects: Electronic music--History and criticism.
Musical instruments, Electronic.
Synthesizer (Musical instrument)
Musicians--Interviews.
ISBN: 0-688-03106-4 (pbk.) : $15.95
ISBN: 0-688-03105-6
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Title: The liberation of sound : an introduction to electronic
music / by Herbert Russcol ; new introduction by Otto
Luening ; preface by Jacques Barzun.
Publisher: New York : Da Capo Press, 1994.
Series : Da Capo Press music reprint series
Notes: Reprint. Originally published: Englewood Cliffs, N.J. :
Subjects: Electronic music--History and criticism.
ISBN: 0-306-76263-3 : $35.00
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---------------------------- MUSICAL INSTRUMENTS -----------------------------
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Moorer, James A. and Grey, John: "Lexicon of Analyzed Tones";
Computer Music Journal, volume 1 Number 2, volume 1 number 3,
volume 2 number 2, volume 2 number 3, and continuing
The first installment of the lexicon was an analysis of a violin tone.
The second analyzed Clarinet and Oboe tones, and the third presented an
analysis of a trumpet tone.
These analyses included spectral plots (time versus amplitude for the first
21 partials), spectrographic plots (frequency versus amplitude), and amplitude
and frequency versus time plots for the first sixteen partials. Additional
information is given about formants of the instruments and the analysis
and resynthesis methods which the authors used (The analysis was done with
a Heterodyne Filter algorithm). While the authors claim that the tones
were resynthesized and were nearly indistinguishable from the originals, they
ARE only single, specific notes played on a specific example of the original
instrument, so, while they would be a good starting point for re-synthesis of
an instrument, they are by no means sufficient.
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Title: The acoustical foundations of music / John Backus.
Edition: 2d ed.
Publisher: New York : Norton, c1977.
Subjects: Music--Acoustics and physics.
ISBN: 0-393-09096-5 : $10.95
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Author : Douglas, Alan
Title : Electronic Musical Instrument Manual
Published: Pitman, London, 1968
Originally published in 1947 !! So this is a historical book
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-------------------------------- COMPOSITION ---------------------------------
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Title: Electronic music composition for beginners / Robert Train
Adams.
Publisher: Dubuque, Iowa : Wm. C. Brown, c1986.
Subjects: Electronic composition.
ISBN: 0-697-00457-0 (pbk.)
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Title: Automated music composition / Phil Winsor.
Publisher: North Texas Press, c1989. 312 p. : ill. ; 23 cm.
Subjects: Computer composition.
Computer music--Instruction and study.
BASIC (Computer program language)
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Title: Computer composer's toolbox / Phil Winsor.
Publisher: Blue Ridge Summit, PA : Windcrest, c1990.
Subjects: Computer composition.
BASIC (Computer program language)
ISBN: 0830633847 : $19.95
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------------------------------- COMPUTER MUSIC -------------------------------
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Languages for Computer Music/Real Time Control
Mathews (The Music "N" languages) (No reference handy)
Dannenberg et al, "Arctic...", CMJ 10(4)
Dannenberg "Canon", CMJ???, "Fugue" ICMC89
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TITLE: The music machine : selected readings from "Computer music journal" /
ed. by Curtis Roads
IMPRINT: Cambridge, Masschusetts, [etc.] : MIT Press, 1989 * XIV, 725 p. :
ill. ; 26 cm
NAMES: Roads, Curtis
ISBN: 0-262-18131-2 m
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The PROCEEDINGS OF THE INTERNATIONAL COMPUTER MUSIC CONFERENCE, an annual
volume published by the International Computer Music Association. San
Francisco: ICMA, 2040 Polk St., Suite 330, San Francisco, CA 94109; USA.
email: icma@cube.cemi.unt.edu tel: 817-566-2235 fax: 817-565-4919.
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TITLE: Informatique et musique : session musicologique de l'International
computer music conference organisee par l'equipe ERATTO [a] Paris,
IRCAM, 24 octobre 1984 / [textes reunis et presentes par Helene
Charnasse]
IMPRINT: Ivry-sur-Seine : Elmeratto, 1988 * 145 p. ; 30 cm
SERIES: Publications Elmeratto
NAMES: Charnasse, Helene * (1984 ; Parijs)
ISBN: 2-902671-07-5 m
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AUTHOR: Manning, Peter
TITLE: Electronic and computer music / [by] Peter Manning
EDITION: Repr.
IMPRINT: Oxford : Clarendon Press, 1988 * VI, 292 p. : ill. ; 22 cm
ISBN: 0-19-311923-4 m p * 0-19-311918-8 v
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AUTHOR: Davis, Deta S.
TITLE: Computer applications in music : a bibliography / [by] Deta S. Davis
IMPRINT: Madison, Wisconsin : A-R Editions, 1988 * XVIII, 537 p. ; 24 cm
SERIES: The computer music and digital audio series ; vol. 4
ISBN: 0-89579-225-7 $49.95
TITLE: Computer applications in music : a bibliography, supplement 1
/ Deta S. Davis.
SERIES: The Computer music and digital audio series ; v. 10
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AUTHOR: Bartle, Barton K.
TITLE: Computer software in music and music education : a guide / by Barton
K. Bartle
IMPRINT: Metuchen, N.J., [etc.] : Scarecrow Press, 1987 * XIV, 252 p. ; 22 cm
ISBN: 0-8108-2056-0 m
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TITLE: Foundations of computer music / ed. by Curtis Roads [and] John Strawn
EDITION: 3rd print.
IMPRINT: Cambridge, Massachusetts, [etc.] : MIT Press, 1987
NAMES: Roads, Curtis * Strawn, John
ISBN: 0-262-68051-3 (paper) 0-262-18114-2 (hard)
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TITLE: Computer music / [ed.-in-chief: Anthony I. Wasserman]
IMPRINT: New York : ACM, 1985 * 120 p. : ill. ; 26 cm
SERIES: Computing surveys ; vol. 17, nr. 2. 0360-0300
NAMES: Wasserman, Anthony I.
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Title: Computer Music Association source book : activities and
resources in computer music / compiled and edited by Craig
R. Harris and Stephen T. Pope.
Publisher: [San Francisco, CA, USA] (P.O. Box 1634, San Francisco
94101-1634) : The Association, c1987.
Subjects: Computer Music Association--Directories.
Computer music--Directories.
Computer music--History and criticism--Bibliography.
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Title: Computers and musical style / David Cope.
Publisher: Madison, Wis. : A-R Editions, c1991.
Series: The Computer music and digital audio series ; v. 6
Subjects: Computer composition.
ISBN: 0-89579-256-7 (hardcover)
The book includes (LISP) source code to significant parts of his EMI
system (Experiments in Musical Intelligence). For the non-technical reader
there is a brief introduction to LISP programming. There are numerous
examples of programs applied to examples from musical literature, (Bach,
Mozart, Schubert, Stravinsky and many others). The program produces an
analysis of the regularities in two or more pieces of the same style and
uses these as "signiatures" to generate a new piece in that style. Cope's
methodology is derived from a mixture of classical AI (or rule based)
models and linguistic grammars (Augmented Transition Network).
The results are interesting and can be remarkable. But I have to add that
there are significant problems with the methods. The system seems good at
capturing very local phenomena, (such as cadence formulae), but is
ill-conditioned for capturing more global aspects of musical structure
(such as melodic coherence, harmonic interest, &c). These problems have
been acknowledged by the author but I think they are unsolvable in the
current working paradigm.
Michael Casey <mkc@media.mit.edu>
------------------------------------------------------------------------------
Title: New music composition / David Cope.
Publisher: New York : Schirmer Books, c1977.
Subjects: Composition (Music)
ISBN: 0-02-870630-7
------------------------------------------------------------------------------
Ames, C. 1982, Protocol: Motivation, Design and Production of a
Composition for Solo Piano, "Interface", 2:11.
Cope, D., 1987, An Expert System for Computer-Assisted Composition,
"Computer Music Journal", 11:4.
Loy, G., 1985, Programming with Computers- a Survey of Some
Compositional Formalisms and Music Programming Languages, in "Current
Directions in Computer Music Research", ed. Max Matthews and John
Pierce, Cambridge: MIT press.
Loy, G. 1991, Connectionism and Musiconomy, "International Computer
Music Conference Proceedings", CMA, 1991.
Schottstaedt, W., 1989, Automatic Counterpoint, in "Current Directions
in Computer Music Research", ed. Max Matthews and John Pierce,
Cambridge: MIT press.
Todd, P., 1989, A Connectionist Approach to Algorithmic Composition,
"Computer Music Journal", 13:4.
Winograd, T., 1968, Linguistics and the Computer Analysis of Tonal
Harmony, "Journal of Music Theory", 12:1
------------------------------------------------------------------------------
BOOK ANNOUNCEMENT:
MUSIC AND CONNECTIONISM,
edited by
Peter M. Todd and D. Gareth Loy
MUSIC AND CONNECTIONISM is now available from MIT Press. This 280-pp. book
contains a wide variety of recent research in the applications of neural
networks and other connectionist methods to the problems of musical listening
and understanding, performance, composition, and aesthetics. It consists of a
core of articles that originally appeared in the Computer Music Journal, along
with several new articles by Kohonen, Mozer, Bharucha, and others, and new
addenda to the original articles describing the authors' most recent work.
Topics covered range from models of psychological processing of pitches,
chords, and melodies, to algorithmic composition and performance factors. A
wide variety of connectionist models are employed as well, including
back-propagation in time, Kohonen feature maps, ART networks, and Jordan- and
Elman-style networks. We've also included a discussion generated by the
Computer Music Journal articles on the use and place of connectionist systems
in artistic endeavors. A more detailed description of the book is provided
below (from the jacket text), along with the complete table of contents.
MUSIC AND CONNECTIONISM can be found in bookstores that carry MIT Press
publications, or can be purchased directly from MIT Press by calling their
toll-free order number, 1-800-356-0343, and giving the operator this catalog
number: 1CSAT 503, and this book code: TODMH. By phone and mail-order, the
price is $39.95; in stores, it will probably be $45 (there is some confusion
with the publisher on this point, so I wanted to give out the detailed
information for phone orders to save people some money).
***************************************************************************
Music and Connectionism,
edited by Peter M. Todd and D. Gareth Loy
As one of our highest expressions of thought and creativity, music has always
been a difficult realm to capture, model, and understand. The connectionist
paradigm, now beginning to provide insights into many realms of human
behavior, offers a new and unified viewpoint from which to investigate the
subtleties of musical experience. Music and Connectionism provides a
fresh approach to both fields, using techniques of connectionism and parallel
distributed processing to look at a wide range of topics in music research,
from pitch perception to chord fingering to composition.
The contributors, leading researchers in both music psychology and neural
networks, address the challenges and opportunities of musical applications of
network models. The result is a current and thorough survey that advances our
understanding of musical perception, cognition, composition, and performance
and of the design and analysis of networks.
Music and Connectionism is based on a core of articles originally appearing as
two special issues of the Computer Music Journal. These have been augmented
with addenda covering more recent research by the authors. The book opens
with tutorial chapters introducing neural networks in a musical context and
relevant aspects of previous computer music research, making this a
self-contained text. There are many new chapters, along with new section
introductions, summaries of related work, and a final debate on the artistic
implications of connectionist methods.
Peter M. Todd is a doctoral candidate in the PDP Research Group of the
Psychology Department at Stanford University. Gareth Loy DMA is an
award-winning composer, member of the Board of Directors of the Computer Music
Association, lecturer in the Music Department of UC San Diego, and member of
the technical staff of Frox Inc.
Contents:
Preface and Introduction, Peter M. Todd and D. Gareth Loy
Part 1: Background
Machine Tongues XII: Neural Networks, Mark Dolson
Connectionism and Musiconomy, D. Gareth Loy
Part 2: Perception and Cognition
A Neural Net Model for Pitch Perception, Hajime Sano and B.
Keith Jenkins
Connectionist Models for Tonal Analysis, Don L. Scarborough,
Ben O. Miller, and Jacqueline A. Jones
The Representation of Pitch in a Neural Net Model of Chord
Classification, Bernice Laden and Douglas H. Keefe
Pitch, Harmony, and Neural Nets: A Psychological Perspective,
Jamshed J. Bharucha
The Ontogenesis of Tonal Semantics: Results of a Computer Study,
Marc Leman
Modeling the Perception of Tonal Structure with Neural Nets,
Jamshed J. Bharucha and Peter M. Todd
Using Connectionist Models to Explore Complex Musical Patterns,
Robert O. Gjerdingen
The Quantization of Musical Time: A Connectionist Approach,
Peter Desain and Henkjan Honing
Part 3: Applications
A Connectionist Approach to Algorithmic Composition,
Peter M. Todd
Connectionist Music Composition Based on Melodic, Stylistic, and
Psychophysical Constraints, Michael C. Mozer
Creation By Refinement and the Problem of Algorithmic Music
Composition, J.P. Lewis
A Nonheuristic Automatic Composing Method, Teuvo Kohonen, Pauli
Laine, Kalev Tiits, and Kari Torkkola
Fingering for String Instruments with the Optimum Path Paradigm,
Samir I. Sayegh
Part 4: Conclusions
Letter from Otto Laske
Responses to Laske by Todd and Loy
Further Research and Directions, Peter M. Todd
List of Author Addresses
------------------------------------------------------------------------------
BOOK ANNOUNCEMENT:
Representations of Musical Signals,
edited by Giovanni De Poli, Aldo Piccialli, and Curtis Roads
Published by MIT Press, 1991
ISBN 0-262-04113-8, 478 pages, hardcover, US$ 50.00
Representations of Musical Signals describes a new generation of digital
audio and computer music systems made possible by recent advances in
digital signal processing theory, hardware design, and programming
techniques. It explores new representations of musical signals that can
have profund effects on the way musicians conceive of and realize musical
ideas. In particular, the book focuses on models that combine time-domain
and frequency-domain representations (grains, wavelets, and physical
models), visual programming and advanced user interfaces, and that
incorporate musical knowledge using artificial intelligence techniques and
adaptive neural net- works. The 14 contributions take up issues of how
musical signals should be displayed to musicians, engineers, and scientists
who want to work with them, how professionals can work with the
representations to accomplish musical tasks, how systems can be designed to
permit working with multiple views of the same signal, and how representa-
tions of musical signals should be organized to promote efficient
communication between devices using these signals.
Representations of Musical Signals is aimed at the expanding group of
musicians, engineers, and scientists who are interested in innovative
approache to digital audio and computer music. We expect that this book
will be useful in undergraduate and graduate courses in computer music,
musical acoustics, and digital audio signal processing.
Giovanni De Poli is a member of the faculty of the Department of
Electronics and Informatics at the University of Padua. Aldo Piccialli is
a member of the faculty of the Department of Physics at the University of
Naples. Curtis Roads is a composer and consulting editor of Computer Music
Journal.
INDEX
Contributors xi
Preface xiii
I TIME-FREQUENCY REPRESENTATIONS OF
MUSICAL SIGNALS 1
Overview 3
A. Piccialli
1 Timbre Analysis by Synthesis: Representations,
limitations, and Variants for Musical
Composition 7
J.C. Risset
2 Application of Time-Frequency and Time-Scale
Methods (Wavelet Transforms) to the Analysis,
Synthesis, and Transformation of Natural
Sounds 45
R. Kronland-Martinet and A. Grossman
3 Analysis, Transformation, and Resynthesis of
Musical Sounds with the Help of a Time-Frequency
Representation 87
D. Arfib
4 Wavelet Transforms that We Can Play 119
G. Evangelista
II GRANULAR REPRESENTATIONS OF MUSICAL SIGNALS 137
Overview 139
G. De Poli
5 Asynchronous Granular Synthesis 143
C. Roads
6 Pitch-Synchronous Granular Synthesis 187
G. De Poli and A. Piccialli
III PHYSICAL MODEL REPRESENTATIONS OF MUSICAL SIGNALS 221
Overview 223
G. De Poli
7 The Physical Model: Modeling and Simulating the
Instrumental Universe 227
J. Florens and C. Cadoz
8 The Missing Link: Modal Synthesis 269
J.-M. Adrien
9 Synthesizing Singing 299
J. Sundberg
IV ARCHITECTURES AND OBJECT REPRESENTATIONS OF
MUSICAL SIGNALS 321
Overview 323
C. Roads
10 Music, Signals, and Representations: A Survey 325
uy Garnett
11 An Object-based Representation for Digital
Audio Signals 371
12 New Generation Architectures for Music and
Sound Processing 391
S. Cavaliere
V PARALLEL DISTRIBUTED PROCESSING REPRESENTATIONS
OF MUSICAL SIGNALS 413
Overview 415
A. Piccialli
13 Understanding Music Cognition: A Connectionist View 417
C. Lischka
14 Qualitative Aspects of Signal Processing Through
Dynamic Neural Networks 447
R. D'Autilia and F. Guerra
Name Index 463
Subject Index 467
------------------------------------------------------------------------------
Date: Tue, 4 Aug 92 11:16 MET
From: HENKJAN@NL.UVA.LET.ALF
Subject: New book on Computer Music, Music Cognition and AI
NEW BOOK ON COMPUTER MUSIC, MUSIC COGNITION AND AI
The research presented in "Music, Mind and Machine: Studies in Computer
Music, Music Cognition and Artificial Intelligence" by Peter Desain and
Henkjan Honing finds its basis in the fields of musicology, psychology and
computer science. Nowadays each of these domains is linked to the other in
various research disciplines. In computer music, ways to design machines to
make music are explored. In music cognition, mental processes that perceive
and apprehend music are investigated. In artificial intelligence the mind is
approached as a machine - and machines are built to learn more about the
mind.
The articles collected in this volume focus on the perception and
representation of musical time and temporal structure, commonly identified
as a research area crucial to the understanding of the complex processes that
enable us to enjoy and perform music. Most of the theories are illustrated
with small concrete computer programs. As such it could serve as a text book
for courses in the field of computer music and music cognition.
Peter Desain and Henkjan Honing have collaborated for the last seven years
at the City University, London and the Centre for Knowledge Technology,
Utrecht. They combine their different backgrounds in computer science,
psychology, and music, and share a fascination with the computational
modelling approach to music perception and performance. Peter Desain
currently works on rhythm perception at the University of Nijmegen,
Henkjan Honing does research on the formalisation of musical knowledge at
the University of Amsterdam.
CONTENTS
I Overview
Introduction
Tempo curves considered harmful
II Perception
The quantization problem: traditional and connectionist approaches
Quantization of musical time: a connectionist approach
A connectionist and a traditional AI quantizer, symbolic versus
sub-symbolic models of rhythm perception
A (de)composable theory of rhythm perception
Autocorrelation and the study of musical expression
III Representation
Issues in the representation of time and structure in music
Time functions function best as functions of multiple times
Towards a calculus for expressive timing in music
IV Methodology
Lisp as a second language: functional aspects
Parsing the Parser, a case study in programming style
LOCO: a composition microworld in logo
POCO: an environment for analysing, modifying, and
generating expression in music
ORDERING INFORMATION
"Music, Mind and Machine" by Peter Desain and Henkjan Honing.
ISBN 90 5170 149 7, 330 pp., paperback, price US$ 25/Dfl. 45/Bfr. 900. All
major credits cards accepted. Postage and handling will be charged
additionally. It is available from:
Thesis Publishers, PO Box 14791,
1001 LG Amsterdam, the Netherlands
Tel. (31) 20 - 62 55 429/Fax (31) 20 - 62 03 395
or
i.d.b., Ltd., 24 Hudson Street, Kinderhook, NY 12106
Tel. Toll free 1 800 343 3531 or (518) 758 1411
Fax (518) 758 1959
------------------------------------------------------------------------------
From: rower@acf3.nyu.edu (Robert Rowe)
Subject: Book Announcement: Interactive Music Systems
Date: 28 Oct 92 21:43:55 GMT
Interactive Music Systems,
Machine Listening and Composing,
by Robert Rowe
For the growing number of professionals in computer music -- composers,
performers, and teachers -- who are looking for more from the computer
music systems that are now available, _Interactive Music Systems_ provides
the first comprehensive survey and evaluation of new computer programs that
can analyze and compose music in live performance.
Although Rowe focuses primarily on musical motivations and possibilities of
interactive systems, he also takes up such practical considerations as how
to build, analyze, and extend these systems, and he looks at the impact of
music theory, music cognition, and artificial intelligence on the design of
interactive systems and on ensemble performance. He describes in detail
both the theory and practice of his own real-time interactive music
program, Cypher, and further illustrates basic concepts and characteristic
issues using the graphic MIDI programming environment Max.
In a concluding chapter, Rowe assesses developments in hardware and
software with implications for the evolution of interactive systems,
including their implementation in multiple-processor environments, the
impact of real-time digital signal processing, and extended prospects for
sensing performance gesture.
Interactive Music Systems CD-ROM
This supplement to Interactive Music Systems contains audio and program
examples that document a variety of systems and the music they produce. An
extensive library of Macintosh software allows the user to experiment with
or adapt existing interactive systems. Some parts of the library require
the presence of underlying software environments, such as SmallTalk, LISP,
or Opcode's Max language. The program discussed most extensively in the
text, Robert Rowe's Cypher, will run on any Macintosh computer with no
additional software required.
Both the book ($35) and the CD-ROM ($19.95) can be ordered from The MIT
Press/55 Hayward Street/Cambridge, MA 02142/ USA
------------------------------------------------------------------------------
Date: Sat, 25 Jul 92 10:42:21 -0400
From: laske@edu.bu.cs (Otto Laske)
Subject: Understanding Music with AI
Dear Colleagues,
UMAI, "Understanding Music with AI" has appeared at the
AAAI Press, distributed by The MIT Press. Its ISBN is 0-262-52170-9
Ballup. It has a foreword by Marvin Minsky, and comprises 21
chapters on music cognition and cognitive musicology.
Otto Laske
------------------------------------------------------------------------------
Machine Models of Music, From Minsky to Mozart,
edited by Stephan Schwanauer and David Levitt
Cambridge: MIT Press, 1993
ISBN 0-262-19319-1 $45
Machine Models of Music brings together representative models ranging from
Mozart's "Musical Dice Game" to a classical article by Marvin Minksy and
current research to illustrate the rich impact that artificial intelligence
has had on the understanding and composition of traditional music and to
demonstrate the ways in which music can push the boundaries of traditional AI
research.
The authors include prominent figures in linguistics (Johan Sundberg,
Ray Jackendoff), computer science and AI (Fred Brooks, Marvin Minsky,
Terry Winograd, Herbert Simon, Peter Neumann), music theory (Allen
Forte), composition (Fred Lerdahl, Charles Ames), psychoacoustics
(Christopher Longuet-Higgins, Jamshed Bharucha), and the odd middle
ground of "computer music" (James Moorer, Hiller and Isaacson).
------------------------------------------------------------------------------
---------------------------------- CD-ROMS -----------------------------------
------------------------------------------------------------------------------
Computer Music: an Interactive Documentary
A new CD-ROM for Macintosh and Windows. Announcing the availability of an
exciting new CD-ROM designed for use by introductory college students and
in many schools in secondary and middle school courses in music and
technology--as well as by home music enthusiasts.
Featuring:
* Performers * Researchers * Sound Designers * Engineers * Sampling
* MIDI * Synthesis * Composition * Recording * Digital Recording &
Editing. $49.95.
e-mail: nolan@cyberlearn.com
------------------------------------------------------------------------------
--------------------------------- MAGAZINES ----------------------------------
------------------------------------------------------------------------------
Title: Electronic musician.
Publisher: [Oklahoma City, OK : Polyphony Pub. Co., c1985-
Subjects: Electronic music--Periodicals.
Previous Title: Polyphony 0163-4534 (DLC)sn 78002183 (OCoLC)4380626
ISSN: 0884-4720
Internet: emeditorial@pan.com
For subscription requests, magazine contributions, and letters to the editor.
------------------------------------------------------------------------------
Title: Keyboard.
Publisher: [Tunbridge Wells, Kent, Music Industry Publications]
Subjects: Keyboard instruments--Periodicals.
------------------------------------------------------------------------------
Title: Keyboard.
Publisher: [Cupertino, Calif. : GPI Publications], c1981-
Publisher: Vol. 7, no. 7 (July 1981)-
Previous Title: Contemporary keyboard 0361-5820 (DLC) 76641315
(OCoLC)2246955
ISSN: 0730-0158
------------------------------------------------------------------------------
Title: Computer music journal
IMPR.: Cambridge, MA
ISBN: 0148-9267
------------------------------------------------------------------------------
------------------------- DIGITAL SIGNAL PROCESSING --------------------------
------------------------------------------------------------------------------
"Discrete-Time Signal Processing"
Allan V. Oppenheim, Ronald W. Schafer
Englewood Cliffs, NJ : Prentice Hall, 1989
SERIES: Prentice Hall signal processing series
ISBN: 0-13-216771-9
------------------------------------------------------------------------------
C LANGUAGE ALGORITHMS FOR DIGITAL SIGNAL PROCESSING
Paul M. Embree and Bruce Kimble
Prentice Hall, Englewood Cliffs, New Jersey, 1990
xvi + 456 pp. + diskette. Price $44.00, 480pp.
ISBN 13-133406-9
The book includes introductory chapters into DSP, programming tips for
style and efficiency, chapters on filtering, FFT, image processing.
All code in the text is included on the diskette (MS-DOS).
------------------------------------------------------------------------------
Introductory Digital Signal Processing
with Computer Applications
by Paul A. Lynn & Wolfgang Fuerst
Publisher: John Wiley & Sons
Copyright 1989, latest reprint January 1992
ISBN 0-471-91564-5
------------------------------------------------------------------------------
First Principles of Discrete Systems and Digital Signal Processing
by Robert D. Strum and Donald E. Kirk
ISBN: 0-201-09518-1
Addison-Wesley 1988
------------------------------------------------------------------------------
"PC-DSP" by Oktay Alkin (Prentice-Hall
1990, ISBN 0-13-655200-5).
This book is essentially a user's manual for the accompanying software
package.
Here is an interactive software package for performing common digital
signal processing design and analysis calculations quickly and easily.
Within PC-DSP's menu-driven environment, you can generate, analyze, and
process data without needing to remember command syntax.
------------------------------------------------------------------------------
Title: Digital processing of signals / Bernard Gold and Charles M.
Rader, with chapters by Alan V. Oppenheim and Thomas G.
Stockham, Jr.
Publ: Malabar, Fla. : Krieger, 1983, c1969.
Notes: Reprint. Originally published: New York : McGraw-Hill,
1969. (Lincoln Laboratory publications)
Subjects: Signal processing--Digital techniques.
ISBN: 0-89874-548-9
------------------------------------------------------------------------------
Title: An introduction to digital signal processing / John H. Karl.
Publ: San Diego : Academic Press, c1989.
Subjects: Signal processing--Digital techniques.
ISBN: 0-12-398420-3
------------------------------------------------------------------------------
Title: Multirate digital signal processing / Ronald E. Crochiere,
Lawrence R. Rabiner.
Publ: Englewood Cliffs, N.J. : Prentice-Hall, c1983.
Series: Prentice-Hall signal processing series
ISBN: 0-13-605162-6
------------------------------------------------------------------------------
AUTH: MacNally, G. W.
Title: Digital audio : recursive digital filtering for high quality audio
signals / [by] G. W. McNally
IMPR.: [S.l.] : Research Department, Engineering Division, The Brithish
Broadcasting Corporation, 1981 * IV, 29 p. ; 30 cm
------------------------------------------------------------------------------
Title: Numerical recipes in C : the art of scientific computing / [by]
William H. Press, Brian P. Flannery, Saul A. Teukolsky [and] William
T. Vetterling
IMPR.: Cambridge [etc.] : Cambridge U.P., 1988 * 2 dl. ; 25 cm
ISBN: 0-521-35465-X m * 0-521-35746-2 m
------------------------------------------------------------------------------
Blesser, Barry and J. Kates. "Digital Processing in Audio Signals." In A. V.
Oppenheim, ed. Applications of Digital Signal Processing. Englewood Cliffs,
NJ: Prentice-Hall, 1978.
------------------------------------------------------------------------------
Digital Signal Processing Committee of IEEE Acoustics, Speech, and Signal
Processing Society, ed. Programs for Digital Signal Processing. New York:
IEEE Press, 1979.
------------------------------------------------------------------------------
Title: Digital audio engineering : an anthology / John Strawn,
editor ; with contributions by James F. McGill ... [et al.].
Publisher: Los Altos, Calif. : W. Kaufmann, c1985.
Series: The Computer music and digital audio series, vol 3.
Subjects: Sound--Recording and reproducing--Digital techniques.
Subjects: Synthesizer (Musical instrument)
Contents: An introduction to digital recording and reproduction / J. F.
McGill -- Limitations on the dynamic range of digitalized
audio / R. Talambiras -- Architectural issues in the design
of the systems concepts digital synthesizer / P. Samson --
The FRMbox, a modular digital music synthesizer / F. R.
Moore -- The Lucasfilm digital audio facility / J. A.
Moorer.
ISBN: 0-86576-087-X
------------------------------------------------------------------------------
Title: The Science of Sound 2nd ed. / Thomas D. Rossing
Publisher: Addison Wesley 1990
Contents: A book starting with the fundamentals of sound and hearing,
contains in depth discussion of the acoustics of the various
families of musical instruments plus a chapter about electronic
instruments and synthesis. Includes some math but is generally
readable on a "popular science" level.
ISBN: 0201-15727-6
------------------------------------------------------------------------------
Title: Digital audio signal processing : an anthology / John
Strawn, editor ; with contributions by F. Richard Moore
... [et al.].
Publisher: Los Altos, Calif. : W. Kaufmann, c1985.
Series: The Computer music and digital audio series, vol 1.
Subjects: Electronic music--Instruction and study.
Subjects: Signal processing--Digital techniques.
ISBN: 0-86576-082-9
I called the publisher (W. Kaufmann) about _Digital Audio Signal
Processing_ and they referred me to A-R Editions, who shipped the book
the next day! I had it in my grasp in well under a week, via UPS surface.
The shipping charge was $2.50 if I recall correctly.
A-R Editions
801 Deming Way
Madison, Wisconsin 53717
608-836-9000 (They accept VISA orders)
------------------------------------------------------------------------------
Title: Synthesizer performance and real-time techniques / Jeff
Pressing.
Publisher: Madison, Wis. : A-R Editions, c1992.
Subjects: Synthesizer (Musical instrument)
Series: The Computer music and digital audio series ; v. 8
ISBN: 0-89579-257-5 : $49.95
------------------------------------------------------------------------------
"Interpolation and Decimation of Digital Signals - A Tutorial Review"
by Ronald E. Crochiere and Lawrence R. Rabiner.
This paper is in Proceedings of the IEEE, Vol. 69, No. 3, 1981, pp.
300-331.
------------------------------------------------------------------------------
----------------------------------- OTHER ------------------------------------
------------------------------------------------------------------------------
Computing in Musicology: A Directory of Research
ed. Walter B. Hewlett and Eleanor Selfridge-Field
Center for Computer Assisted Research in the Humanities
525 Middlefield Road, Suite 120
Menlo Park, CA 94025
(415) 322-7050
XB.L36@stanford.bitnet
------------------------------------------------------------------------------
Tuning In - Microtonality in Electronic Music, Scott R.
Wilkinson. 1988. Hal Leonard Books. ISBN 0-88188-633-5.
Contents:
1. Music, Mathematics and Microtuning
2. Acoustics and Psychoacoustics
3. The History of Tuning and Temperament
4. Using Tunings
5. Alternate Tunings and Scales
6. Tuning Electronic Instruments
Foreword by Wendy Carlos. Bibliography, discography, etc.
Includes details on tuning such instruments as DX7, EPS, etc.
Hal Leonard Books
8112 W. Bluemound Road
Milwaukee, WI 53213
$14.95
120 pgs., illustrated
------------------------------------------------------------------------------
The Well-Tempered Object
Musical Applications of Object-Oriented Software Technology
A Structured Anthology on Software Science and Systems
based on Articles from Computer Music Journal 1980-89
Compiled and edited by Stephen Travis Pope
Published by MIT Press, 1991
The Well-Tempered Object is based on a collection of articles
that appeared in Computer Music Journal over the space of ten years
relating to the application of object-oriented (OO) software
technology--the most important new software engineering technology
of the 1980s--to various musical applications. It consists of
articles from Computer Music Journal 4(4), 8(5), 10(4) and 13(2)
along with new chapters and updates to the original texts as
addenda. The authors describe the application of OO technology to
a wide range of areas of computer music and digital audio signal
processing including music representation and composition, real-
time performance, and digital signal processing (DSP). A number of
popular OO programming languages are represented, including Lisp,
Smalltalk-80, and ObjectiveC.
Keywords/Topics
Music software, object-oriented programming, object-oriented
software design, music representation, composition and
performance, graphical user interfaces, DSP programming, single
and multiple inheritance, Actors, OO user interface systems.
Flavors Band, FORMES, Kyma, Platypus, SoundKit, MusicKit, MODE,
HyperScore ToolKit, CreationStation, Javelina, VDSP, TTrees,
Nutation.
NeXT, Macintosh, Sun SPARCstation, LISP, Smalltalk-76 & -80,
ObjectiveC, ACT-1, and DSP languages.
Language and methodology introductions, tool and application
reports, extensive bibliographies, tutorials on OO programming
and OO design.
Outline
Introduction
Part 1--OO Machine Tongues
Part 2--Languages and Systems
Part 3--OO DSP Tools and Systems
Author Contact Addresses
Table of Contents
Introduction--Stephen Travis Pope
Part 1: Tutorials and Technology
Machine Tongues VIII: The Design of a Smalltalk Music System--
Glenn Krasner
Machine Tongues IX: Object-Oriented Programming--Henry Lieberman
Machine Tongues XI: Object-Oriented Software Design--Stephen
Travis Pope
Part 2: Music Representation and Processing Tools
Flavors Band: A Language for Specifying Musical Style--C. Fry
FORMES: Composition and Scheduling of Processes--Xavier Rodet and
Pierre Cointe
Introduction to MODE: The Musical Object Development Environment--
Stephen Travis Pope
An Overview of the Sound and Music Kits for the NeXT Computer--
David Jaffe and Lee Boynton
Addendum: Sound and Music Kits Version 1.0
Part 3: Composition Systems
The Kyma/Platypus Computer Music Workstation--Carla Scaletti
Addendum: A Kyma Update
An Introduction to the Creation Station--Henry Flurry
Addendum: An Update on the Creation Station
TTrees: A Tool for the Compositional Environment--Glendon Diener
Addendum: A Hierarchical Approach to Music Notation
Part 4: Signal Processing Systems
Javelina: An Environment for Digital Signal Processor Software
Development--Kurt J. Hebel
Addendum: Filter Design and Optimization Examples
Virtual Digital Signal Processing in an Object-Oriented System--
David K. Mellinger, G. E. Garnett and Bernard Mont-Reynaud
Addresses of Authors
Details
Compiled and Edited by Stephen Travis Pope (Editor of Computer
Music Journal)
ISBN 0-262-16126-5, 200 pages, hardcover, US$ 30.00
Available from:
MIT Press, 55 Hayward St., Cambridge, Massachusetts 02142 USA
Call (617) 625-8569 to order
------------------------------------------------------------------------------
TITLE: The language of electroacoustic music / ed. by Simon Emmerson
IMPRINT: Basingstoke [etc.] : MacMillan Press, 1986 * VIII, 231 p. ; 24 cm
NAMES: Emmerson, Simon
ISBN: 0-333-39759-2 m * 0-333-39760-6 v p
------------------------------------------------------------------------------
Title: Composers and the computer / Curtis Roads, editor.
Publisher: Los Altos, Calif. : W. Kaufmann, c1985.
Series: The Computer music and digital audio series
Subjects: Computer music--History and criticism.
Subjects: Computer composition.
ISBN: 0-86576-085-3
------------------------------------------------------------------------------
Title: Principles of digital audio / Ken C. Pohlmann.
Publisher: Indianapolis, Ind., USA : H.W. Sams, 1989.
Series: Howard W. Sams & Company audio library
Subjects: sampling, quantizing, CD-I, DAT.
ISBN: 0-672-22634-0 : $29.95, 474pp.
------------------------------------------------------------------------------
Title: Advanced digital audio / Ken Pohlmann, editor-in-chief.
Publisher: Carmel, Ind., USA : Howard W. SAMS, c1991.
Subjects: Sound--Recording and reproducing--Digital techniques, DSP, HDTV.
ISBN: 0-672-22768-1, 500pp.
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Title: Handbook for Sound Engineers, The New Audio Encyclopedia /
Glen M. Ballou, editor-in-chief
Publisher: Carmel, Ind., USA : Howard W. SAMS, c1991.
Subjects: MIDI, sound, compact disks, sound system design
ISBN: 0-672-22752-2, 1500pp.
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Title: Modern Recording Techniques, 3rd ed. / D. M. Huber & R. A. Runstein
Publisher: Carmel, Ind., USA : Howard W. SAMS,
Subjects: digital audio, recording
ISBN: 0-672-22682-0, 400pp.
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Title: Sound recording Handbook / John W. Woram
Publisher: Carmel, Ind., USA : Howard W. SAMS,
Subjects: sound effects, noise reduction, SMPTE
ISBN: 0-672-22583-2, 600pp.
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Title: The compact disc : a handbook of theory and use / Ken C.
Pohlmann.
Series: The Computer music and digital audio series ; v. 5
Subjects: Compact discs.
ISBN: 0-89579-228-1 $29.95 (paper)
ISBN: 0-89579-234-6 $45.95 (cloth)
288 pages
------------------------------------------------------------------------------
Dexter Morrill and Rick Taube, _A Little Book of Computer Music
Instruments_
------------------------------------------------------------------------------
Title: Introduction to computer music / Wayne Bateman.
Publisher: New York : J. Wiley, c1980.
Subjects: Computer music--Instruction and study.
Subjects: Computer composition.
ISBN: 0-471-05266-3 : $20.00 (est.)
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MUSIC, SOUND and TECHNOLOGY,
by John M. Eargle. (A mini-review)
is published by Van Nostrand Reinhold, New York, copyright 1990. Its Library
of Congress number is ML3805.E2 1990.
This little book turned up on the New Titles shelf in the Physics
and Planetary Science Library at Pitt recently, and I've just finished going
through it. It was a worthwhile enough bit of reading matter that I thought
I'd bring it to the List's attention. This ain't no formal book review, but
then again you all probably knew that already, knowing me, right?
MS&T is a fairly technical treatment of the acoustics of musical
instruments, almost exlcusively focussing on acoustic instruments that are
featured in the modern orchestral format (hence including a lot of unusual
jazz instruments and percussion devices). It has fairly little math in it,
and requires little or no math background to read, but it does not skimp
on the ideas it brings across-- a novice who knew something about music,
having read this book carefully, would come away with a better understanding
of music and acoustics than many professional sound engineers probably have.
(Based on my own experiences in the field, that is.) The style is a trifle
dry, but is never so technical as to be unreadable. Examples from the public
domain are liberally sprinkled throughout the book, and every chapter ends
with a small bibliography and reference list, often including phonorecords.
The book begins with a brief review of the physical principles
underlying the creation of sound: waves, sound pressure, units like the
decibel, and so on. Virtually all of the math in the book is contained here,
and it's on the high-school level, not too daunting. Some of the stuff is
quite simple (masses on springs, pendula), but the reader suddenly finds
himself absorbing stuff like "Relations between Direct and Reverberant Fields"
--and understanding it clearly! The organization is clear, and every concept
is prefaced with an explanation of why and where it's important. The next
two chapters complete what Eargle considers the introductory part of the book;
one is on the physiology of hearing and psychoacoustics, ranging from the
localization of sound by the ears and head to the cultural biases inherent in
judging what constitutes "consonance" and "dissonance," and the other is a
brief but relatively well-thought-out review of temperament and tuning scales.
Chapters 4 through 9 are explanations of the physics of the usual
sorts of sound generators one would find in orchestral of jazz music, and
comparative studies of their pitch and loudness ranges, harmonic structure,
and expressive characteristics in relation to the player's abilities. Strings,
woodwinds, brasses, and percussion devices are given their own chapters, and
keyboards are lumped together in one chapter, despite their differences in
sound creation (which Eargle acknowledges but views as less important than
their similarities). There are all sorts of little gems here-- how to change
the speaking length of a trumpet, what happens to the frequency response of
a piano when you close the lid, how a vibraphone differs from a marimba, etc.
These chapters alone make the book worth a look.
Chapter 10 explains the philosophy behind the physical organization of
musical ensembles. Why the first and second violins are sometimes seated
together on the left, other times separated, and so on. Chapter 11 is a long
and occasionally quite technical discussion of performance space design, and
of the engineering of suitable halls for speech, music, and worship (there's
a big section on church design). Chapters 12 and 13 discuss the principles of
sound reinforcement and sound recording, with diagrams of speaker placements
and microphone patterns abounding; this is getting into the sort of stuff that
we tend to deal with regularly in EMUSIC-L, and we may have seen it elsewhere,
but at this point we're used to Eargle's delivery and it's more clear than the
usual drek in Home and Studio Recording. Some of the discussion is quite
fascinating (is it better to be shamefully accurate or to correct for acoustic
weaknesses when recording a symphony?), and the material is quite modern in
its presentation: Eargle notes "with nostalgia" the passing of the vinyl LP
from the scene. Overdubbing, Digital recording, and signal processing are
touched on in a straightforward manner, from quad sound systems to delay and
digital reverb. Chapter 14 is a primer on home audio, with explanations of
the LP, cassette, and CD as playback media and commentary on speaker systems.
Chapter 15 is what you've all been waiting for, the "Overview of Music
Synthesis." It covers the acoustics of transients, steady-state conditions,
and tonal decay, ensemble considerations, working in the frequency vs. the
time domain, and mentions modern developments such as sampling and MIDI. The
entire section is only eight pages long, half of which are figures, but for
the acoustic musician who's unfamiliar with and a bit scared of synthesizers
it's a very easily digestible introduction. The acoustic musician sighs with
relief and says, "So THAT'S all there is to it!" (Of course, it isn't, but it
serves to keep the musician's mind open and unafraid of future learning.) The
author seems to regard these instruments with some degree of wide-eyed wonder,
and perhaps some nervous condescention as well, but he never fails to
recognize them as instruments in their own right, deserving of attention
beside the violins and piccolos. His only classicist comment, which is
probably forgivable under the circumstances, is that "Electronically generated
sounds do not necessarily have to imitate those of traditional instruments,
but the sounds do have to fit into musical contexts." (We'll shelve arguments
on that point for other posts, ok?) The last chapter is a brief touch upon
active noise reduction principles and techniques, and probably should have
been placed between chapters 13 and 14, but at least it's there, if only for
six pages.
The book weighs in at 290 pages with a reasonably thorough index, and
is published by Van Nostrand Reinhold, New York, copyright 1990. Its Library
of Congress number is ML3805.E2 1990. I consider it a refreshing change from
the constant jabber about whether the Amiga can beat the Mac in the MIDI world
or what goes into Differential Loop Modulation in the D-70. It's clear,
readable, and has a lot of worthwhile data that can be put to good use by a
clever musician, electronic or otherwise. Metlay says, check it out.
metlay
metlay@pittvms.BITNET
metlay@vms.cis.pitt.EDU
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The July 1991 issue of _Computer_, (Vol 24, #7, ISSN 0018-9162),
published by
the IEEE Computer Society, has the title "Computer Generated Music", and a
whole bunch of neat articles.
Titles of articles, are followed by Authors, then a description.
(taken from the table of contents)
_Guest Editor's Introduction: Computer Generated Music_
Denis L. Baggi
_Formula: A Programming Language for Expressive Computer Music_
David P. Anderson and Ron Kuivila
Formula, a language for controlling synthesizers, can model the
expressiveness of a human performance. It supports algorithmic
composition, interactive performance, and programmed interpretation
of traditional scores.
_Recombinant Music: Using the Computer to Explore Musical Style_
David Cope
A Computer program that creates new but stylistically recognizable
music from existing works offers insights into the elusive
phenomenon of musical style.
_Toward an Expert System for Expressive Musical Performance_
Margaret L. Johnson
An expert system processes the melodies of Bach fugues using a model
that recognizes rhythmic patterns. It outputs instructions that
tell performers how to articulate the melodies.
_Fugue: A Functional Language for Sound Synthesis_
Roger B. Dannenberg, Christopher Lee Fraley, and Peter Velikonja
Fugue provides functions to create and manipulate sounds as abstract,
immutable objects. The interactive language supports behavioral
abstraction, so composers can manage complex musical structures.
_A Computer Music System that Follows a Human Conductor_
Hideyuki Morita, Shuji Hashimoto, and Sadamu Ohteru
An electronic orchestra with a complex performance database and
MIDI controllers responds to the gestures of a conductor through
a CCD camera and a sensor glove.
_Project Overviews: Current Research in Computer Generated Music_
Stephen W. Smoliar, Goffredo Haus, Alberto Sametti, Denis L. Baggi,
Antonio Camurri, Corrado Canepa, Marcello Frixione, Renato Zaccaria,
Yap Siong Chua, and Robert Keefe
Six overviews reflect varied ongoing research. Reporting from
such diverse locales as Singapore, Europe, and the US, the authors
explore the spheres of computer-aided composition, synthesis of
musical scores, computer simulation, and composing by musical
analog.
The six overviews look more interesting than the description. Of course,
all of the above articles have references, so you can go look up more
information.
_Standards_
Standard Music Description Language
Also, Coming Fall 1991:
_Readings in Computer-Generated Music_
edited by Denis Baggi
This new tutorial is a collection of 11 important articles, reprinted
from the July 1991 special issue of _Computer_ on computer-
generated music, plus a number of important articles omitted due
to space limitations. These papers include all the articles from
this issue either in their entirety or in an expanded version. A
companion CD and audiocassette will also be available for sale.
250 pages, November. 1991, hardbound, catalog No. 2367
------------------------------------------------------------------------------
Title: The Byte book of computer music / edited by Christopher P.
Morgan.
Publisher: Peterborough, N.H. : Byte Books, c1979.
Subjects: Computer music--Instruction and study.
Computer composition.
ISBN: 0-931718-11-2
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Title: Electronic music / Andy Mackay.
Publisher: Minneapolis, Minn. : Control Data Publishing, 1981.
Series Name: The Covent Garden music guides ; No. 2
Subjects: Musical instruments, Electronic.
Electronic music--History and criticism.
ISBN: 0-89893-504-0 : $19.95
ISBN: 0-89893-302-1 (pbk.) : $10.95
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Title: Electronic music : systems, techniques, and controls /
Allen Strange ; forward by Gordon Mumma.
Publisher: Dubuque, Iowa : W.C. Brown Co., c1983.
Subjects: Electronic music--Instruction and study.
Electronic composition.
ISBN: 0-697-03602-2 (pbk.)
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Title: Electronic music dictionary : a glossary of the specialized
terms relating to the music and sound technology of today
/ by Bo Tomlyn & Steve Leonard.
Publisher: Milwaukee, WI, U.S.A. : H. Leonard Books, c1988.
Subjects: Electronic music--Dictionaries.
ISBN: 0-88188-904-0 : $5.95
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Title: The electronic music dictionary / by W.D. Coakley.
Publisher: Lantana, Fla. (315 North Lake Drive, Suite 16, Lantana,
Florida 33462) : W.D. Coakley, c1988.
Subjects: Electronic music--Dictionaries.
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Title: A Dictionary of electronic and computer music technology :
instruments, terms, techniques / Richard Dobson.
Publisher: Oxford University Press, 1992
Subjects: Electronic music --Dictionaries.
Computer music --Dictionaries.
ISBN: 0193113449
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Title: Dictionary of musical technology / Tristram Cary.
Publisher: Greenwood Press, New York 1992.
Subjects: Electronic music --Dictionaries.
Computer music --Dictionaries.
ISBN: 0313286949 (alk. paper)
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Title: Electronic music production / by Alan Douglas.
Publisher: Blue Ridge Summit, Pa. : Tab Books, c1982.
Subjects: Musical instruments, Electronic.
Electronic music--History and criticism.
ISBN: 0-8306-1418-4 (pbk.) : $7.95
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Title: The electronic musician's dictionary / Craig Anderton.
Publisher: New York : Amsco Publications : Exclusive distributors
Music Sales Corp., c1988.
Subjects: Electronic music--Dictionaries.
ISBN: 0-8256-1125-3
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Title: Multi-track recording / edited by Dominic Milano from the
pages of Keyboard magazine.
Publisher: Milwaukee, WI : H. Leonard Books, c1988.
Series: The Keyboard magazine basic library
(Keyboard synthesizer library)
Subjects: Sound--Recording and reproducing.
ISBN: 0-88188-552-5 (pbk.) : $12.95
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Title: Electronic music reports / Institute of Sonology at Utrecht
University
IMPR.: Utrecht University
------------------------------------------------------------------------------
Title: Electronic music synthesis; concepts, facilities,
techniques [by] Hubert S. Howe, Jr.
Publisher: New York, W. W. Norton [1975]
Subjects: Electronic music--Instruction and study.
Subjects: Music--Acoustics and physics.
Subjects: Musical instruments, Electronic.
Subjects: Computer composition.
ISBN: 0-393-09257-3
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Title: Electronic music : a listener's guide / Elliott Schwartz
Publisher: New York : Da Capo Press, 1989, c1975.
Series: Da Capo Press music reprint series
Subjects: Electronic music--History and criticism.
ISBN: 0-306-76260-9 : $29.50
================================= END ====================================
Piet van Oostrum, Dept of Computer Science, Utrecht University
Padualaan 14, P.O. Box 80.089, 3508 TB Utrecht, The Netherlands.
Telephone: +31 30 2531806 Fax: +31 30 2513791 Email: piet@cs.ruu.nl
<A HREF="http://www.cs.ruu.nl/~piet/">my WWW home page</A>